Realist RLSTC1 Copperhead Cello Pickup - Most Respected Acoustic Instrument Pickup - Transparent Sound And Texture - Unmatched Dynamic Response - Self-Powered - USA Made

Really good pickup. Pickup provides a very clear sound and is easy to install. Just put the rectangular metal piece under the foot of the bridge, and put the input on the tail-piece. This thing picks up everything: arco, pizzicato, or guitar pick. This pickup does raise the bridge on the C-string side slightly, since the pickup is installed on that side of the bridge. Raised bridge doesn't effect anything about the cello. I tune up the C-string to D, so I can put the cello in D-standard (tuning in fourths instead of fifths: DGCF) so I can play metal on cello. So I'm constantly thumping the open D string (like in metal) and the pickup does awesome at picking up the staccato from pounding the open string with the bow or finger.Pickup works great with bass and guitar amps. Got some beautiful tones out of a Fender Rumble bass amp and a Carvin v3 guitar tube amp. Also works with distortion pedals, to give a growly-acoustic tone.This pickup is great for the price, you get what you pay for. I believe you have to actively try to destroy this pickup, it is solid and built to last. Takes literally 2 minutes to install. Get this pickup and show everyone how beautiful and expressive the cello is..

i payed 196 $ and it is the same as 20$ pickup! i cant beleive, the sound is very poor, low! i tried different kind of mixsers and result was the same! dont buy it! buy something cheapper or "Shadow Electronics SH-955 Nanoflex Pickup with Preamp for Cello" dont buy this item if you want clear powerfull cello sound!!! sorry for my english :)

This is an amazing pickup. If you are a cellist who is performing in non-traditional venues, then you should definitely pick this up. The pre-amp is already built into the device, so all you need is a 1/4" cable (found at most electronic stores), and an amplifier. It picks up the the cello's natural sound beautifully without distortion or feedback of any kind.It comes with really basic instructions on how to install it. FYI: (Do not remove the black rubber band that is on the wire. This is to provide the right amount of slack between the inducer and the mounting on the tailpiece.) I suggest lying your cello on its back on a bed. Then you want to loosen the fine tuner pegs on all the strings, and loosen the A and D strings down one or two octaves. Then you should take the C and G strings off. Lift up the foot of the bridge on the CG side and place the copper inducer underneath, with the ridge part towards the tailpiece. Make sure it lines up neatly with the sides of your bridge, and it's okay if it sticks out a little towards the middle of the bridge. Attach the cylindrical part to your tailpiece by wrapping the velcro around it. I play a 3/4 size cello, and it falls about an inch and a half up from the bottom of the tailpiece. Check to make sure that the wire between the inducer is situated behind the fine tuners and the back of the tailpiece. (You can also permanently attach it to the tailpiece, but you don't want to do that if you're using a rental like I am). Once it's installed, put your C and G strings back on, tune up your cello, and get ready to be amplified!

Needing to go electric with both my viola and cello, I was looking to recreate a true acoustic tone quality without spending a lot of money and requiring a lot of extra gear. After doing a lot of research, I decided to take the plunge and purchase realist pickups for my viola and my cello. It seemed that this would offer the simplest solution - just plug and play without the need for preamps or worrying about feedback from a mic.So far, I have been beyond pleased. The sound and tonal qualities I get from both pickups is true to my acoustic instruments and provides amplification without adding any metallic qualities. Both realist pickups were fairly easy to install, and plugged into my Behringer keyboard amp/PA along with my keyboard it couldn't have been a simpler transition.The pickups themselves do raise the bridge height a bit AND affect the sound of the instrument when it is not run through an amp, but this was not an issue for me (I installed them on a second set of instruments - not my best viola and cello). If you only have one instrument, this is a semi-permanent solution and using a small condenser mic may be a better idea.

Not using it because I don’t want to lift my bridge

Pretty good pickup, but it definitely needs a pre-amp to help with EQ AND a very high-impedence DI box (Radial makes a few nice ones). The DI is very important because without a high-impedence DI you lose significant tone/signal. That will require phantom power, by the way, but most mixing consoles come equipped with that option. I am using an Empress ParaEQ ahead of the DI and it sounds pretty natural with the cuts that the pre-amp is making in tandem with some channel EQ'ing and reverb.In a high-volume context, you almost can't cut enough low end, especially between 100 and 200Hz. The cello will feed back in a hurry without cutting low end. You may want to consider trying to place the transducer under the treble side of the bridge. I have had to secure the end of the pickup to the tailpiece to make sure that there are no extraneous vibrations and as a result, it has affected the tone of the cello acoustically. Realistically, however, this is not something you want to leave on your cello when playing acoustically verses amplified.Make sure you use quality 1/4" cables as well to prevent tone loss. Lastly, with IEM's, you'll want to make sure you also use a quality RF Transmitter. I'm currently stuck with an AudioTechnica unit that makes the cello sound very farty and uninspiring in my ears, but at least it sounds great in the PA. Wouldn't be an issue if I was using a Shure PSM 900 or better.